Chinas Development Strategy Under Mao Zedong History Essay

Chinas Development Strategy Under Mao Zedong History Essay The industrial system taken over by the Chinese Communist leadership in 1949 was not only rudimentary and war-devastated, but also extremely imbalanced. Over 70% of the industrial assets and output were concentrated in the coastal areas while the rest of the country shared the remainder. Within the coastal region, modern industrial production was again heavily concentrated in a few cities, namely Beijing, Tianjin, Shanghai, Shenyang, Anshan, Benxi, Dalian and Fushun accounted for 55% of the total for the coastal region. China was a typical dual economy, in which a few industrial cities were surrounded by large-scale agriculture. When the Chinese leadership started its efforts at industrialization, it regarded the huge coast-interior imbalance as irrational because, firstly, areas of industrial production were usually too far away from energy and raw materials supply areas and the interior market, meaning substantial long-distance transport costs and creating a strain on Chinas undeve loped transport system. Secondly, the rich resources in the inland areas could not be properly exploited. Finally, since the coast was easily exposed to foreign military power, the heavy concentration of industry there represented a national security risk, as was the case during the Second World War. To rectify that regional imbalance, the Chinese leadership decided to pull the levers of centrally directed investment. (Yang, 1990) During the land reform, a significant amount landlords were murdered at Communist Party gatherings, the land was taken from them and given to poorer peasants and there was also the Campaign to Suppress Counter-revolutionaries, which involved public executions targeting mainly former Kuomintang officials, businessmen accused of market disturbances, former employees of Western companies and intellectuals whose loyalty was suspect. In 1976, the U.S. State department estimated around a million may have been killed in the land reform, and a further 800,000 killed in the counterrevolutionary campaign (Shalom, 1984, p24). Mao himself claimed that a total of 700,000 people were executed during the years 1949-53 (Chang Halliday, 2005). However, because there was a policy to select at least one landlord, and usually several, in virtually every village for public execution, the number of deaths ranged between 2 and 5 million. In addition, at least 1.5million people (Short, 2001), perhaps as ma ny as 6 million were sent to reform through labour camps where many perished (Valentino, 2004). Mao played a personal role in organizing the mass repressions and established a system of execution quotas, which were often exceeded. Nevertheless he defended these killings as necessary for the securing of power. Chinas first Five-Year Plan entailed the forced provision of cheap agricultural supplies to cities, though per capita allocation kept low to discourage urbanization. In rural areas, production decisions are shifted from households to mutual aid teams, and then to cooperatives where a cadre makes key decisions. Ownership is redefined in the form of state-owned enterprises and collectivized farms. In terms of financial structure, the binding constraints on households and enterprises at this time are coupons, authorizations, and orders to deliver. These instruments rather than money determine production and consumption outcomes; therefore prices are of secondary importance. The Hundred Flowers campaign brings unanticipated criticism, especially from intellectuals, which Mao silences in the repressive anti-rightist campaign. Almost two-thirds of the major projects, including many being built with Soviet aid were located in the interior. Despite allowance made to help rehabilitate war-devastated coastal industrial facilities, nearly 56% of the state investment in fixed assets went to the interior during this period. The interior-orientated investment policy took its toll in terms of economic efficiency as coastal industrial growth was sorely needed as a foundation for the development of the whole country. More concentrated efforts at rehabilitation and improvement of old enterprises in the coastal region could have produced more immediate economic pay-offs than making new investments in areas that lacked infrastructural support. Thus, Mao, in his April 1956 speech On the ten great relationships, commented that in the past few years we have not laid enough stress on industry in the coastal region so that the productive power of coastal industry could be used for the full development of the whole country, e specially the interior. In the same speech, however, Mao also revealed he was in favour of building most of heavy industry, 90% or perhaps still more, in the interior. Gottschang (1987) discussed how China used a Soviet approach to economic development was manifested in the First Five-Year Plan. The main objective was a high rate of economic growth, with primary emphasis on industrial development at the expense of agriculture and particular concentration on heavy industry and capital-intensive technology. Large numbers of Soviet engineers, technicians, and scientists assisted in developing and installing new heavy industrial facilities, including entire plants and pieces of equipment purchased from the Soviet Union. Government control over industry was increased during this period by applying financial pressures and inducements to convince owners of private, modern firms to sell them to the state or convert them into joint public-private enterprises under state control. By 1956 approximately 67.5% of all modern industrial enterprises were state owned, others were under joint ownership. No privately owned firms remained. During the same period, the handicraft industries were organized into cooperatives, which accounted for 91.7% of all handicraft workers by 1956. Agriculture also underwent extensive organizational changes. To facilitate the mobilization of agricultural resources, improve the efficiency of farming, and increase government access to agricultural products, the authorities encouraged farmers to organize increasingly large and socialized collective units. From the loosely structured, tiny mutual aid teams, villages were to advance first to lower-stage, agricultural producers cooperatives, in which families still received some income on the basis of the amount of land they contributed, and eventually to advanced cooperatives, or collectives. In the agricultural producers cooperatives, income shares were based only on the amount of labour contributed. In addition, each family was allowed to retain a small private plot on which to grow vegetables, fruit, and livestock for its own use. The collectivization process began slowly but accelerated in 1955 and 1956. In 1957 about 93.5% of all farm households had joined advanced producers co operatives. In terms of economic growth the First Five-Year Plan was quite successful, especially in those areas emphasized by the Soviet-style development strategy. A solid foundation was created in heavy industry. Key industries, including iron and steel manufacturing, coal mining, cement production, electricity generation, and machine building were greatly expanded and were put on a firm, modern technological footing. Thousands of industrial and mining enterprises were constructed, including 156 major facilities. Industrial production increased at an average annual rate of 19% between 1952 and 1957, and national income grew at 9% a year. Despite the lack of state investment in agriculture, agricultural output increased substantially, averaging increases of about 4% a year. This growth resulted primarily from gains in efficiency brought about by the reorganization and cooperation achieved through collectivization. As the First Five-Year Plan wore on, however, Chinese leaders became increasingl y concerned over the relatively sluggish performance of agriculture and the inability of state trading companies to increase significantly the amount of grain procured from rural units for urban consumption. The First Five-Year Plan was for a long time the only plan that was even partially executed. The success of the First Five Year Plan encouraged Mao to initiate the Great Leap Forward, in 1958. Mao also launched a phase of rapid collectivization. The Party introduced price controls as well as a Chinese character simplification aimed at increasing literacy. The Great Leap was not merely a bold economic project, it was also intended to show the Soviet Union that the Chinese approach to economic development was more vibrant, and ultimately would be more successful, than the Soviet model that had been used previously. Under the economic program, the relatively small agricultural collectives which had been formed were rapidly merged into far larger peoples communes, and many of the peasants ordered to work on massive infrastructure projects and the small-scale production of iron and steel. Some private food production was banned; livestock and farm implements were brought under collective ownership. Under the Great Leap Forward, Mao and other party leaders ordered the implementation of a variety of unproven and unscientific new agricultural techniques by the new communes. Combined with the diversion of labour to steel production and infrastructure projects and the reduced personal incentives under a commune system this led to an approximately 15% drop in grain production in 1959 followed by further 10% reduction in 1960 and no recovery in 1961 (Spence, p.553). To win favour with superiors and avoid being purged, each layer in the party hierarchy exaggerated the amount of grain produced under them and based on the fabricated success, party cadres were ordered to requisition a disproportionately high amount of the true harvest for state use primarily in the cities and urban areas but also for export, which resulted in the rural peasant snot left enough to eat and millions starved to death in the largest famine in human history. This famine was a direct cause of the death of some 3 0 millions of Chinese peasants between 1959 and 1962 and about the same number of births were lost or postponed. Further, many children who became emaciated and malnourished during years of hardship and struggle for survival, died shortly after the Great Leap Forward came to an end in 1962 (Spence, p.553). The famine was due to Maos leaning heavily on mass mobilization to speed up industrial development. The Great Leap emphasized heavy industry in general, and the iron and steel industry in particular. In any case, the Great Leap came to be a leap into disaster and was a major cause of Chinas worst famine (1959-61). During this period state investment in industrial assets in the interior continued to increase. It averaged 59.4% of the national total during 1958-62 and further grew to 62-5% in the post-Leap adjustment period (1963-65). In the meantime, worsening Sino-Soviet relations and U.S. involvement in Vietnam led Chinas leaders to perceive a greater need for enhancing its national defence capabilities. As a result, despite the much felt post-crisis need to invigorate existing industrial production and restore consumption levels, Mao in 1964 ruled in favour of building more defence-orientated industries in the interior so that Chinas industrial infrastructure would survive a foreig n invasion and provide for a protracted defensive war. (Yang, 1990, p.236-7) As part of this push for hierarchical organization and revolutionary thinking, Mao initiates the Peoples Commune Movement to foster a communist-agrarian society. Bad incentives and bad weather bring the famine of 1960 with its accompanying economic turmoil, starvation, and rural revolt. Twenty to thirty million people lose their lives through malnutrition and famine (Fairbanks 1987, p.296). The failure of the Great Leap Forward and the Peoples Commune Movement created the first open split within the ranks of communist leaders. Furthermore, a major rift opens with the Soviets, leading to a break in relations and Russian aid flows. (Jaggi et al., WP 1996) The Great Leap Forward was a disaster for China. Although the steel quotas were officially reached, almost all of it made in the countryside was useless lumps of iron, as it had been made from assorted scrap metal in homemade furnaces with no reliable source of fuel such as coal. At the Lushan Conference in 1959, several leaders expressed concern that the Leap was not as successful as planned. The most direct of these was Minister of Defence and Korean War General Peng Dehuai. Mao, fearing loss of his position, orchestrated a purge of Peng and his supporters, stifling criticism of the Great Leap policies. Senior officials who reported the truth of the famine to Mao were branded as right opportunists (Becker, 1998). A campaign against right opportunism was launched and resulted in party members and ordinary peasants being sent to camps where many would subsequently die in the famine. The party have now concluded that 6 million were wrongly punished in the campaign. (Valentino, 2004, p . 127) The largest man-made famine on record was the Chinese famine of 1958-1961, which resulted in the death of an estimated 30 million people and approximately the same number of births lost or postponed. This famine was thought to be as a direct result of the decision by Mao Zedong to launch the Great Leap Forward, a mass mobilization of the population to achieve economic advancement. Mao followed the Stalinist ideology of heavy industry being the answer to economic advancement, peasants were ordered to abandon all private food production and instead produce steel which proved to be of extremely poor quality and of little or no use (Smil, 1999). This created a similar pattern to that of the loss of grain production needed to feed the population as seen in the Ukraine in the 1930s,by the spring of 1959 famine had affected people living in one-third of Chinas provinces. Until the mid 1980s, when official census figures were finally published by the Chinese Government, little was known abou t the scale of the disaster in the Chinese countryside, as the handful of Western observers allowed access during this time had been restricted to model villages where they were deceived into believing that Great Leap Forward had been a great success. There was also an assumption that the flow of individual reports of starvation that had been reaching the West, primarily through Hong Kong and Taiwan, must be localized or exaggerated as China was continuing to claim record harvests and was a net exporter of grain through the period. Because Mao wanted to pay back early to the Soviets debts totalling 1.973 billion yuan from 1960 to 1962, exports increased by 50%. (ONeill, 2008) Censuses were carried out in China in 1953, 1964 and 1982. The first attempt to analyse this data in order to estimate the number of famine deaths was carried out by Dr Judith Banister. Given the gaps between the censuses and doubts over the reliability of the data, an accurate figure is difficult to ascertain. Banister concluded that the official data implied that around 15 million excess deaths incurred in China during 1958-61 and that based on her modelling of Chinese demographics during the period and taking account of assumed underreporting during the famine years, the figure was around 30 million. The official statistic is 20 million deaths, as given by Hu Yaobang (Short, 2001). Partly surrounded by hostile American military bases, China was confronted with a Soviet threat from the north and west. Both the internal crisis and the external threat called for extraordinary statesmanship from Mao, but as China entered the new decade the statesmen of the Peoples Republic were in hostile confrontation with each other. During Conference of the Seven Thousand in Beijing in 1962 State Chairman Shaoqi denounced the Great Leap Forward as responsible for widespread famine, with a majority of delegates expressing agreement, but Defence Minister Biao staunchly defended Mao. A brief period of liberalization followed while Mao and Lin plotted a comeback. Liu and Deng Xiaoping rescued the economy by disbanding the peoples communes, introducing elements of private control of peasant smallholdings and importing grain from Canada and Australia to mitigate the worst effects of famine. Sectoral priorities during the Great Leap (heavy industry, light industry and then agriculture) are reversed, to produce more food (Riskin 1987). Private plots are re-established, limited markets are reopened, and modern inputs such as chemical fertilizers are emphasized (Barnett 1974, p.126). The economy shows signs of recovery in 1963, and by 1965 China regains the level of production reached in 1957 (USITC 1985, 11-25). Third Five year Plan (1966-1969) tasks included developing agriculture to feed the populace and meet other basic needs (such as clothing); strengthening national defence (a priority given Chinese concerns of a potential war); advancing technology; developing infrastructure; encouraging economic self-reliance. Again striving to expand his command over the Party, Mao orchestrates the Cultural Revolution. Early stages of the movement entail a struggle against the so called antiparty clique, including Liu Shaoqi and Deng Xiaoping. Mao calls on the youth as Red Guards to spread revolutionary zeal. They make a specialty of attacking professionals and intellectuals, and wreak havoc on the educational system. Begun as a political struggle, the Cultural Revolution paralyzes normal life and throws the economy into turmoil. The Fourth Five Year Plan was more successful than anticipated, with the industrial and agricultural goals exceeded by 14.1% and industrial gross output value goals by 21.1%. Agricultural gains also exceeded goals, but more moderately, with a 2.2% rise above expectations. According to the Official Portal of the Chinese Government, however, the focus on accumulation and rapid development in this and preceding plans were impediments to long-term economic development In September 1970, the Plan was drafted with such goals as maintaining an annual growth rate of 12.5% in industry and agriculture as well as specific budget allowances for infrastructure construction (130 billion yuan during the Plan). In 1973, some of the specific provisions of the plan were amended to lower the targets. All targets had been reached or surpassed by the end of 1973. China experienced a vibrant economy in the years 1972 and 1973. In conclusion, Maos five year plans, during his time as Chairman of the CPC, were not only enabled China to grow in terms of GDP, but enabled improved rates of literacy, improved living standards if only slightly, some elements of trade liberalisation occurred and a focus on agriculture was eventually made in order to develop food securities, there was some industrialisation and investment in infrastructure. The growth was mainly export-led as GDP per capita did not drastically increase, infrastructure investment rose to a level allowing China to uphold its ability to It therefore can be argued that although many millions of people suffered due to Mao, that China today has partly benefited from the Mao years, although I believe that if Mao had not been kept unaware of the situation that arose in the Great Leap Forward years, that the suffering and deaths that occurred could have been avoided.

In Cold Blood

Truman Capote was born in New Orleans in 1925, a harsh time in America. He was brought up in an amalgamation of places in the South of America, moving among New Orleans, Alabama and New Georgia. He began writing stories at the age of fourteen, depending on the seasonal changes. He later went on to work for the New Yorker after having left school at fifteen. He soon became renowned as the author of the celebrated Breakfast at Tiffany’s. Finally, he published his masterpiece, In Cold Blood, which is most certainly a work of art that changed the nature of writing for all time to come. The novel is filled with contrasting themes, ranging between moments of sombreness and cheeriness, invoking various emotions when reading the non-fictional novel. The novel revolves around the lives of the infamous murderers, Richard Eugene Hickock and Perry Edward Smith and the story of how they murdered four innocent people, known as the Clutter family. This essay will explore the relationship between character and theme presented in In Cold Blood, referring specifically to the characters of Dick Hickock and Perry Smith, assessing the question about whether the characters are portrayed empathetically or as ruthless murderers, the theme of light versus dark being represented in each of these two characters. The contrast drawn between Dick and Perry and the Clutter family will be shown with reference to minor characters that influence the reader’s perceptions of the characters, as well as the effect of narrative scope on the novel. Firstly, Perry was born, â€Å"Perry Edward Smith Oct. 27 1928 in Huntington, Elko County, Nevada, which is situated way out in the boon docks, so to speak†¦ in 1929 [his] family had ventured to Juneau, Alaska† (Capote 274). He had not had a normal upbringing. His mother left his father at a young age and moved around the country without real love, friends or a proper grounding. Perry lived in a nunnery at one stage of his childhood where he was severely beaten to the stage of near death from drowning incidents caused by a certain nun. Therefore, it is no wonder that he felt as though the world was against him. Moreover, â€Å"Sitting, [Perry] seemed a more than normal-sized man, a powerful man, with the shoulders, the arms, the thick, crouching torso of a weight-lifter† but he was disproportionately structured, â€Å"when he stood up he was no taller than a 12-year-old child† (Capote 27). It is this that is ominously foreboding of his personality. At a first glance he seems to be grotesquely large and well-built, but further inspection allows one realise that he is merely, â€Å"overblown and muscle bound† (Capote 27). The same thought process is attached to his inner qualities; he seems at first, with his boyishly good-looks, to be soft and sweet, a part Indian and a part Irishmen to be a placid romantic. One would never assume at first that Perry is a cold-blooded killer. Instead, one would think the opposite with him being so caring of animals such a squirrels, enjoying the company of children and being an excellent artist and skilled guitar player – â€Å"With the aid of his guitar, Perry had [often] hung himself into a happy humour. He knew the lyrics of some two hundred hymns and ballads – a repertoire ranging [endlessly]† (Capote 59) But, through further analysis one finds that, â€Å"In some ways old Perry was â€Å"spooky as hell†Ã¢â‚¬ ¦ He could slide into a fury†¦ â€Å"He might be ready to kill you, but you’d never know it, not to look at or listen to. †Ã¢â‚¬  (Capote 116) What was really going on with Perry, whether he was anxious or nervous, scared or ireful – even with his anxiety causing his blood to bubble, it was almost assured that he would remain cool, calm and collected on the outside, â€Å"with eyes serene and slightly sleepy† (Capote 116). Therefore, Perry had a,  Ã¢â‚¬Å"doom against which virtue was no defense† (Capote 185). He â€Å"had such a rotten life† (Capote 306). In many ways Perry is portrayed in an array of varying degrees of passivity and iniquity. It is then true to state that, â€Å"‘the path of the righteous man is beset on all sides with the iniquities of the selfish and the tyranny of evil men† (Jackson). He was in no doubt destined to the awful vengeance that was incurred upon him – death by hanging from the neck. In contrast to this, Dick Hickock lived a much better life than what Perry did; he lived a somewhat average middle-class lifestyle. As a child he eceived much love from his parents and at one stage received a bicycle for his birthday, which he was indeed very proud of. He partook in most sports and achieved highly even being given a scholarship to go to college (which he did not accept). Instead, he started working and married a young but pretty girl who was above his standards, and even though this was the case, they had children together. Furthermor e, Dick honestly thought of himself as, â€Å"a normal. And Dick meant what he said. He thought of himself as balanced, as sane as anyone – maybe a bit smarter than the average fellow†¦ (Capote 116) He too, at first, seems to be kind hearted as he tends to smile somewhat and make jokes. But with his harmless jokes come harmful ones too, such as in the closing moments of the court case where both Dick and Perry laughed loudly at Dick’s comment of, â€Å"No chicken-hearted jurors, they†! (Capote 307) Moreover, Dick’s truly evil side is portrayed when he speaks of his lust for young adolescents and his paedophiliac propensities. He openly claims that he, â€Å"never [gave] any thought to whether it is right or wrong† (Capote 278). This act in itself is worthy of maximum penalty and coupled with assisted murder of first degree on four counts it is no doubt that he too be destined to the ultimate punishment – death by hanging from the neck. One of the reasons why the novel is so appealing is the nature of its impartiality; in the partnership of Dick and Perry they are both portrayed empathetically as well as like ruthless killers. Throughout the novel there are minor characters that ensure that one feels empathy at times toward the dire-stricken duo and at other times one will feel detestation and abhorrence toward the cowardly couple. With regards to Perry one feels compassion for him when he explains the horrors of his childhood, the way in which he was so often mistreated and misguided and lost out on so many important aspects of growing up that would normally lead to living a normal life. Perry Smith wanted to go to college and receive a proper education and was most jealous of former in-mate Lowell Lee Andrews who had what he desired, despising him for it. One might feel sorry for him insofar that he suffers from pain in his legs as a result of a motorcycle accident and resultantly became an addict of aspirin. One might even be envious of him for he is full of wisdom, being opposed to conventionalism for, â€Å"there is considerable hypocrisy in conventionalism† (Capote 150) and for being so artistically and musically inclined. It is Perry’s father, Tex John Smith, and his friends, Donald Cullivan and Willie-Jay? On the other hand, though it need not be mentioned why, one feels utter distaste towards such a felon for his heinous crimes are unspeakable and his lack of remorse is most certainly worthy of hatred and the label of ‘a cold-blooded killer’. Perry’s cold-bloodedness is most clearly portrayed when he openly exclaims, â€Å"[he] didn’t want to harm [Herb Clutter]. [He] thought he was a very nice gentleman. Soft-spoken. [He] thought so right up to the moment [he] cut his throat. † (Capote, 246). With regards to Dick, one would also be inclined to think kindly of him because he is a clever and quirky man, always â€Å"quick with a joke, or to light up [one’s] smoke† (Joel). He would hardly be seen without a smile and to be quite charming. The people in his life, which cared for him most, would be his parents, Mr. nd Mrs. Hickock – who never spoke badly of their son and always had hope and faith in him, even up until the last moment. It is precisely this aspect which makes one feel compassion for Dick. However, one finds his actions inexcusable and sees him as a cold blooded killer insofar as he was the main instigator for the ‘score’ of the Clutter household. He was the ringleader and the mastermind of the whole operation and he perpetually insisted that him and Perry leave no witnesses standing. It is thus that he is rightfully named a ‘cold-blooded killer’. Furthermore, there is a great contrast with regards to the theme of light and dark pertaining to Dick and Perry and the Clutter family, for even though Dick and Perry initially seem to be somewhat gentle or not as malevolent as they are after what one eventually learns about them, they most certainly are laced with evil streaks. Conversely, the Clutter family, each and every one of them was of pure goodness, not just in appearance or facades but in their minds and hearts too. Their souls were comprised of untainted decency. They were a tightly knit unit that worked coherently to enrich others’ ives. Similarly, Dick and Perry also worked together, a team but conversely yet again, their aim was to impoverish other peoples’ lives. Moreover, the narrative scope is from two varying viewpoints: that of the Clutter  family  who were innocently murdered, and that of the two cold-blooded killers, Dick and Perry. The different points of view allow one to relive both sides of the story; Capote presents them without foregone conclusions hence, each standpoint is one of impartiality. Capote works wizardry with the use of the third person omniscient perspective to communicate the two points of view. Emphasis is laid on some important scenes in the novel because of the way it is not written in complete chronological order. Finally, by closely analysing various aspects of the novel such as character and theme, whether or not Dick and Perry are portrayed empathetically or as cold-blooded killers, and how the theme of dark versus light is portrayed in the two main characters in accordance with the Clutter family and the effect of narrative scope we can fully understand what a wonderful masterpiece Truman Capote has fashioned. Word Count: 1794 Bibliography Capote, Truman. In Cold Blood. New York: Penguin Books, 1965. Joel, Bille. â€Å"Pianoman. † Piano Man. cond. M Stewart. By Billie Joel. Los Angeles, 1973. Pulp Fiction. Dir. Quentin Tarantino. Perf. Samuel L. Jackson. 1994. In Cold Blood Truman Capote was born in New Orleans in 1925, a harsh time in America. He was brought up in an amalgamation of places in the South of America, moving among New Orleans, Alabama and New Georgia. He began writing stories at the age of fourteen, depending on the seasonal changes. He later went on to work for the New Yorker after having left school at fifteen. He soon became renowned as the author of the celebrated Breakfast at Tiffany’s. Finally, he published his masterpiece, In Cold Blood, which is most certainly a work of art that changed the nature of writing for all time to come. The novel is filled with contrasting themes, ranging between moments of sombreness and cheeriness, invoking various emotions when reading the non-fictional novel. The novel revolves around the lives of the infamous murderers, Richard Eugene Hickock and Perry Edward Smith and the story of how they murdered four innocent people, known as the Clutter family. This essay will explore the relationship between character and theme presented in In Cold Blood, referring specifically to the characters of Dick Hickock and Perry Smith, assessing the question about whether the characters are portrayed empathetically or as ruthless murderers, the theme of light versus dark being represented in each of these two characters. The contrast drawn between Dick and Perry and the Clutter family will be shown with reference to minor characters that influence the reader’s perceptions of the characters, as well as the effect of narrative scope on the novel. Firstly, Perry was born, â€Å"Perry Edward Smith Oct. 27 1928 in Huntington, Elko County, Nevada, which is situated way out in the boon docks, so to speak†¦ in 1929 [his] family had ventured to Juneau, Alaska† (Capote 274). He had not had a normal upbringing. His mother left his father at a young age and moved around the country without real love, friends or a proper grounding. Perry lived in a nunnery at one stage of his childhood where he was severely beaten to the stage of near death from drowning incidents caused by a certain nun. Therefore, it is no wonder that he felt as though the world was against him. Moreover, â€Å"Sitting, [Perry] seemed a more than normal-sized man, a powerful man, with the shoulders, the arms, the thick, crouching torso of a weight-lifter† but he was disproportionately structured, â€Å"when he stood up he was no taller than a 12-year-old child† (Capote 27). It is this that is ominously foreboding of his personality. At a first glance he seems to be grotesquely large and well-built, but further inspection allows one realise that he is merely, â€Å"overblown and muscle bound† (Capote 27). The same thought process is attached to his inner qualities; he seems at first, with his boyishly good-looks, to be soft and sweet, a part Indian and a part Irishmen to be a placid romantic. One would never assume at first that Perry is a cold-blooded killer. Instead, one would think the opposite with him being so caring of animals such a squirrels, enjoying the company of children and being an excellent artist and skilled guitar player – â€Å"With the aid of his guitar, Perry had [often] hung himself into a happy humour. He knew the lyrics of some two hundred hymns and ballads – a repertoire ranging [endlessly]† (Capote 59) But, through further analysis one finds that, â€Å"In some ways old Perry was â€Å"spooky as hell†Ã¢â‚¬ ¦ He could slide into a fury†¦ â€Å"He might be ready to kill you, but you’d never know it, not to look at or listen to. †Ã¢â‚¬  (Capote 116) What was really going on with Perry, whether he was anxious or nervous, scared or ireful – even with his anxiety causing his blood to bubble, it was almost assured that he would remain cool, calm and collected on the outside, â€Å"with eyes serene and slightly sleepy† (Capote 116). Therefore, Perry had a,  Ã¢â‚¬Å"doom against which virtue was no defense† (Capote 185). He â€Å"had such a rotten life† (Capote 306). In many ways Perry is portrayed in an array of varying degrees of passivity and iniquity. It is then true to state that, â€Å"‘the path of the righteous man is beset on all sides with the iniquities of the selfish and the tyranny of evil men† (Jackson). He was in no doubt destined to the awful vengeance that was incurred upon him – death by hanging from the neck. In contrast to this, Dick Hickock lived a much better life than what Perry did; he lived a somewhat average middle-class lifestyle. As a child he eceived much love from his parents and at one stage received a bicycle for his birthday, which he was indeed very proud of. He partook in most sports and achieved highly even being given a scholarship to go to college (which he did not accept). Instead, he started working and married a young but pretty girl who was above his standards, and even though this was the case, they had children together. Furthermor e, Dick honestly thought of himself as, â€Å"a normal. And Dick meant what he said. He thought of himself as balanced, as sane as anyone – maybe a bit smarter than the average fellow†¦ (Capote 116) He too, at first, seems to be kind hearted as he tends to smile somewhat and make jokes. But with his harmless jokes come harmful ones too, such as in the closing moments of the court case where both Dick and Perry laughed loudly at Dick’s comment of, â€Å"No chicken-hearted jurors, they†! (Capote 307) Moreover, Dick’s truly evil side is portrayed when he speaks of his lust for young adolescents and his paedophiliac propensities. He openly claims that he, â€Å"never [gave] any thought to whether it is right or wrong† (Capote 278). This act in itself is worthy of maximum penalty and coupled with assisted murder of first degree on four counts it is no doubt that he too be destined to the ultimate punishment – death by hanging from the neck. One of the reasons why the novel is so appealing is the nature of its impartiality; in the partnership of Dick and Perry they are both portrayed empathetically as well as like ruthless killers. Throughout the novel there are minor characters that ensure that one feels empathy at times toward the dire-stricken duo and at other times one will feel detestation and abhorrence toward the cowardly couple. With regards to Perry one feels compassion for him when he explains the horrors of his childhood, the way in which he was so often mistreated and misguided and lost out on so many important aspects of growing up that would normally lead to living a normal life. Perry Smith wanted to go to college and receive a proper education and was most jealous of former in-mate Lowell Lee Andrews who had what he desired, despising him for it. One might feel sorry for him insofar that he suffers from pain in his legs as a result of a motorcycle accident and resultantly became an addict of aspirin. One might even be envious of him for he is full of wisdom, being opposed to conventionalism for, â€Å"there is considerable hypocrisy in conventionalism† (Capote 150) and for being so artistically and musically inclined. It is Perry’s father, Tex John Smith, and his friends, Donald Cullivan and Willie-Jay? On the other hand, though it need not be mentioned why, one feels utter distaste towards such a felon for his heinous crimes are unspeakable and his lack of remorse is most certainly worthy of hatred and the label of ‘a cold-blooded killer’. Perry’s cold-bloodedness is most clearly portrayed when he openly exclaims, â€Å"[he] didn’t want to harm [Herb Clutter]. [He] thought he was a very nice gentleman. Soft-spoken. [He] thought so right up to the moment [he] cut his throat. † (Capote, 246). With regards to Dick, one would also be inclined to think kindly of him because he is a clever and quirky man, always â€Å"quick with a joke, or to light up [one’s] smoke† (Joel). He would hardly be seen without a smile and to be quite charming. The people in his life, which cared for him most, would be his parents, Mr. nd Mrs. Hickock – who never spoke badly of their son and always had hope and faith in him, even up until the last moment. It is precisely this aspect which makes one feel compassion for Dick. However, one finds his actions inexcusable and sees him as a cold blooded killer insofar as he was the main instigator for the ‘score’ of the Clutter household. He was the ringleader and the mastermind of the whole operation and he perpetually insisted that him and Perry leave no witnesses standing. It is thus that he is rightfully named a ‘cold-blooded killer’. Furthermore, there is a great contrast with regards to the theme of light and dark pertaining to Dick and Perry and the Clutter family, for even though Dick and Perry initially seem to be somewhat gentle or not as malevolent as they are after what one eventually learns about them, they most certainly are laced with evil streaks. Conversely, the Clutter family, each and every one of them was of pure goodness, not just in appearance or facades but in their minds and hearts too. Their souls were comprised of untainted decency. They were a tightly knit unit that worked coherently to enrich others’ ives. Similarly, Dick and Perry also worked together, a team but conversely yet again, their aim was to impoverish other peoples’ lives. Moreover, the narrative scope is from two varying viewpoints: that of the Clutter  family  who were innocently murdered, and that of the two cold-blooded killers, Dick and Perry. The different points of view allow one to relive both sides of the story; Capote presents them without foregone conclusions hence, each standpoint is one of impartiality. Capote works wizardry with the use of the third person omniscient perspective to communicate the two points of view. Emphasis is laid on some important scenes in the novel because of the way it is not written in complete chronological order. Finally, by closely analysing various aspects of the novel such as character and theme, whether or not Dick and Perry are portrayed empathetically or as cold-blooded killers, and how the theme of dark versus light is portrayed in the two main characters in accordance with the Clutter family and the effect of narrative scope we can fully understand what a wonderful masterpiece Truman Capote has fashioned. Word Count: 1794 Bibliography Capote, Truman. In Cold Blood. New York: Penguin Books, 1965. Joel, Bille. â€Å"Pianoman. † Piano Man. cond. M Stewart. By Billie Joel. Los Angeles, 1973. Pulp Fiction. Dir. Quentin Tarantino. Perf. Samuel L. Jackson. 1994.

Conflict Resolution Plan - 1138 Words

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The Great Gatsby By F. Scott Fitzgerald - 1279 Words

The novel, The Great Gatsby, by F.Scott Fitzgerald is about the failure of the American dream in the roaring twenties. The American dream is the concept that in America, every citizen reaches an optimistic and illusionary goal to meet wealth and happiness. The characters that Fitzgerald usea in the novel, are all attempting to reach a life where there isn’t any inequality and poverty. The characters of the novel are divided into two different groups: 1. The rich upper class where they live on East Egg and the lower class society that lives within the West Egg. However, the unrealistic goal to meet the American Dream does not turn into a reality, no real sign of joy and happiness but instead it creates lots of problems for the characters in the book. The cruel pursuit of wealth, Jay Gatsby’s insistence of holding on Daisy and the corruption of the upper class society shows why the American dream was never achieved. 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